1. Cinemuze / Germaine Dulac en de feministische film
Deze stille film wordt muzikaal begeleid op serpent en elektronica door Berlinde Deman. » 28/09/2024, om 19.30 uur in de Ridderzaal.
Marie Peyrat was een erg eigenzinnige, intellectuele en onafhankelijke vrouw met een uitgesproken passie voor de politiek. En hetzelfde kan worden gezegd van Germaine Dulac (1882-1942). Dulac was journalist, cinefiel, filmcriticus en filmmaker. Ze ontwikkelde bijzonder vernieuwende ideeën in het filmische impressionisme en surrealisme. In 1923 regisseerde ze de stille film La souriante Madame Beudet. In deze film zoekt een getrouwde vrouw, gevangen in een kleinburgerlijk huwelijk met een tirannieke man, naar een manier om haar leven te veranderen.
2. La coquille et le clergyman | Eye Filmmuseum
Germaine Dulac (1882-1942) verfilmde Artauds venijnige aanval op de kerk tot een ritmisch experiment vol drama, symboliek en slapstick. De film vertelt het ...
De eerste surrealistische film ooit gemaakt geldt nog altijd als boegbeeld van de avant-gardefilm. Germaine Dulac verrichtte baanbrekend werk met haar verfilming van het scenario van de woeste dichter en theatermaker Antonin Artaud.
3. Dobrawa Czocher | Germaine Dulac films
12 apr 2024 · Her two most renowned films, The Seashell and the Clergyman, and The Smiling Madame Beudet, will grace the screen at Timeless Film Festival Warsaw on April 12, ...
Najlepsze historie są ponadczasowe
4. Germaine DULAC - Light Cone
Bevat niet: 2024 | Resultaten tonen met:2024
(1882-1942) Nationality: French
5. Experimental Cinema of Germaine Dulac and Maya Deren
Experimental Cinema of Germaine Dulac and Maya Deren. Learn about avant-garde films by women in this screening of Germaine Dulac's The Seashell and the ...
Learn about avant-garde films by women in this screening of Germaine Dulac’s The Seashell and the Clergyman (1928, 40 min.), considered one of the first Surrealist films, and Maya Deren’s A Study in Choreography for Camera (1945, 3 min.), which features the dancer Talley Beatty in a magisterial cinematic interpretation of dance. Presented in conjunction with the exhibition The Body in Pieces (https://www.kemperartmuseum.wustl.edu/on-view/on-view/the-body-in-pieces-2024), these silent films feature innovative special effects that present the human form as physically fractured and fragmented across time. A discussion following the screening with Dana Ostrander, assistant curator of modern art; Lionel Cuillé, teaching professor in French in the Department of Romance Languages and Literatures in Arts & Sciences and director of French Connexions; and Victor Putinier, PhD student in Romance Languages and Literatures, will explore these two key figures in the development of experimental cinema and proto-feminist practice. Free and open to the public with complimentary popcorn. Registration is requested.
6. LADIES OF THE LAKE - Artforum
Of these distaff innovators, the French filmmaker Germaine Dulac (1882–1942)—who is the subject of a retrospective that kicked off at the Film Society of ...
Melissa Anderson on Germaine Dulac
7. Newly restored Germaine Dulac film now streaming!
7 jun 2024 · Newly restored Germaine Dulac film now streaming! La Fête espagnole (1920) directed by Germaine Dulac is now streaming on HENRI! La Fête ...
Women Film Pioneers Project is a scholarly resource exploring women’s global involvement at all levels of film production during the silent film era.
8. The Importance of Being a Film Author: Germaine Dulac and Female ...
12 dec 2002 · Dulac never proposed a feminist-oriented or a gender-specific model of the film auteur. However, her films and her writings propose a tactic of disengagement.
Rosanna Maule December 2002 Feature Articles
9. 2024-10-21 - Germaine Dulac + Maya Deren + Buñuel - CINEMATEK
21 okt 2024 · CINEMATEK 2024-10-21-germaine-dulac-maya-deren-bunuel.
CINEMATEK 2024-10-21-germaine-dulac-maya-deren-bunuel
10. Germaine Dulac, a Cinema of Sensations
Best known for her Impressionist classic The Smiling Madame Beudet (1923), and the first Surrealist film The Seashell and the Clergyman (1927), Germaine ...
Best known for her Impressionist classic The Smiling Madame Beudet (1923), and the first Surrealist film The Seashell and the Clergyman (1927), Germaine Dulac made close to thirty fiction films, as well as numerous documentaries and newsreels. Yet, according to her account of a 1908 visit to Gaumont-Palace, Dulac did not always like the cinema, and “thought it disgraceful that an excellent symphony orchestra… would be heard in a movie theater”. It is not surprising that this feminist and avant-garde pioneer, who came to the motion pictures through music, saw in this lyrical art an incomparable model for a cinema of sensations, which could transmit certain notions of ‘emancipation’. A follow-up to the 2006 Cinema Ritrovato program Germaine Dulac, Cinéma Pur, this new retrospective broadens our vision of the director’s approach to cinema as a socially conscious lyrical art, based on movement, rhythm and the “material of life itself”. Dulac’s lyricism is showcased in five silent ‘commercial’ features, including her earliest extant work La Cigarette (1919), and her impressionist La Mort du soleil (1921), which engages technical effects to which she attributes “a suggestive value equivalent to musical signs”. Dulac’s avant-garde call for a “pure cinema” (exemplified by her 1929 abstract films) manifests itself in her low-budget social realist La Folie des vaillants (1925), an exploration of cinema as “visual symphony”. Antoinette Sabrier (1927) and La Princesse Mandane (1928...
11. La coquille et le clergyman | Eye Filmmuseum
The first surrealist film ever made is still an icon of avant-garde film. The pioneering Germaine Dulac based her film on a scenario by the wild poet and ...
The first surrealist film ever made is still an icon of avant-garde film. The pioneering Germaine Dulac based her film on a scenario by the wild poet and theatre director Antonin Artaud.
12. WHAT IS CINEMA? BY GERMAINE DULAC - Light Cone
11 sep 2019 · Composed of the cineaste's lectures (1925-1939), compiled by her partner Marie-Anne Colson-Malleville and preserved in the Light Cone archives, ...
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13. The Films of Germaine Dulac | BAMPFA
Germaine Dulac (1882–1942) didn't choose filmmaking as her first career, nor did she believe that directing was a job for women.
Germaine Dulac (1882–1942) didn't choose filmmaking as her first career, nor did she believe that directing was a job for women. Nevertheless, she made approximately thirty films, had her own production company, wrote numerous articles on both practical and theoretical aspects of filmmaking, gave impassioned lectures to her peers and to the public, founded and edited a cinema journal, and was cofounder and president of the French Federation of Ciné-Clubs.
14. Cinema and History - Vamps ! - Festival Entrevues
PARTNERS. Newsletter. Publié le 11/24/2024. Cinema and History - Vamps ! ... Films by Germaine Dulac and vamps such as Musidora (with the kind authorization ...
Publié le 11/26/2024
